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  • Theatrical Scenic Art
    Theatrical Scenic Art

    Theatrical Scenic Art is a detailed guide to the creative process of painting and preparing scenery for theatre. The book offers key insights into the role of the scenic artist, detailing the process from planning, budgeting and developing samples through to creating and delivering the final finishes. Topics covers include: design interpretation and realisation; choosing the right tools and equipment; drawing and colour theory; preparation for floor and frame painting; traditional and contemporary techniques for hard and soft scenery and, finally, a range of processes including creating textures, polystyrene carving, scenic faux finishes and sign writing. With personal insights from highly acclaimed designers, this practical guide offers advice on how to become a scenic artist, useful work experience, valid courses and career options for both freelance and fulltime painters.

    Price: 25.00 £ | Shipping*: 3.99 £
  • London's Theatrical Heritage
    London's Theatrical Heritage

    London theatres have hosted thousands of performances of plays and musicals, from ancient Greek tragedies to modern artistic dance.In this book author David Ramzan takes a look at the history of theatres located throughout the city.London’s first flourishing of its theatres took place during the Elizabethan and Jacobean period, when Shakespeare, Marlowe, Johnson and a host of other playwrights entertained audiences by a never-ending cavalcade of players and touring companies.Little is left of those days apart from the reconstructed Globe Theatre on the South Bank period after many of the Tudor and Jacobean playhouses, had been pulled down or had fallen into ruin under parliamentary rule after the English Civil War.London’s theatreland truly evolved during the early eighteenth century into today’s live entertainment industry, many performances taking place from a variety of historical buildings. London’s Theatrical Heritage will take a nostalgic look back at the capital’s theatreland and present day locations, from the smallest of intimate venues to the largest of the West End’s playhouses.The story of theatre in London will delight and enthral anyone interested in the stage, plays and players, and the theatres where they perform.The book is accompanied by contemporary photographs, archive images, illustrations and theatre ephemera.

    Price: 15.99 £ | Shipping*: 3.99 £
  • Final Acts : Theatrical Mysteries
    Final Acts : Theatrical Mysteries

    Behind the stage lights and word-perfect soliloquies, sinister secrets are lurking in the wings.The mysteries in this collection reveal the dark side to theatre and performing arts: a world of backstage dealings, where unscrupulous actors risk everything to land a starring role, costumed figures lead to mistaken identities, and on-stage deaths begin to look a little too convincing. . . This expertly curated thespian anthology features fourteen stories from giants of the classic crime genre such as Dorothy L.Sayers, Julian Symons and Ngaio Marsh, as well as firm favourites from the British Library Crime Classics series: Anthony Wynne, Christianna Brand, Bernard J.Farmer and many more. Mysteries abound when a player’s fate hangs on a single performance, and opening night may very well be their last.

    Price: 10.99 £ | Shipping*: 3.99 £
  • Theatrical Makeup : Basic Application Techniques
    Theatrical Makeup : Basic Application Techniques

    Theatrical Makeup clearly and concisely explains the basics of theatrical makeup techniques to allow stage actors to put their best face forward!Readers will gain understanding of the physiology of the human face and, using cream based makeup, as well as commercial cosmetics, learn how to contour it to suit the character with the use of highlight and shadow.Hundreds of full color images and step-by-step instructions illustrate how to visually manipulate bone structure and apparent age, apply simple facial hair and wounds, and create glamorous and natural stage makeup.Also covered are the tools readers will need to apply their own makeup, along with critical health and hygiene tips.This book is suitable for beginner Theatrical Makeup courses and for stage actors of all levels.

    Price: 36.99 £ | Shipping*: 0.00 £
  • What are theatrical design elements?

    Theatrical design elements are the visual and auditory components that contribute to the overall look and feel of a theatrical production. These elements include set design, lighting design, costume design, sound design, and special effects. Each element plays a crucial role in creating the atmosphere, setting, and mood of a performance, helping to bring the story to life on stage. By carefully coordinating these design elements, theater artists can enhance the audience's experience and convey the intended message of the production.

  • How is music used in theatrical plays?

    Music is used in theatrical plays to enhance the mood and atmosphere of a scene, evoke emotions in the audience, and emphasize key moments in the story. It can also help transition between scenes, create tension or suspense, and provide a sense of continuity throughout the production. Music can be used in various forms such as background music, live performances, or as part of the storytelling itself through songs and musical numbers.

  • Are most theatrical and talkative women sluts?

    No, it is not accurate or fair to label theatrical and talkative women as sluts. These traits do not determine a person's sexual behavior or morality. It is important to avoid making assumptions or judgments about someone's character based on their personality or communication style. Each individual should be treated with respect and not be unfairly labeled based on stereotypes.

  • How do you understand the word "theatrical"?

    I understand the word "theatrical" to refer to anything related to the theater or the performance arts. It can describe something that is dramatic, exaggerated, or designed for the stage. "Theatrical" can also be used to describe a person's behavior or mannerisms as being overly dramatic or exaggerated, as if they were performing on a stage. Overall, "theatrical" conveys a sense of drama, performance, and showmanship.

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  • Innovation in Music: Technology and Creativity
    Innovation in Music: Technology and Creativity

    Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.

    Price: 56.99 £ | Shipping*: 0.00 £
  • The Elements of Theatrical Expression
    The Elements of Theatrical Expression

    The Elements of Theatrical Expression puts forward 14 essential elements that make up the basic building blocks of theatre.Is theatre a language? Does it have its own unique grammar? And if so, just what would the elements of such a grammar be?Brian Kulick asks readers to think of these elements as the rungs of a ladder, scaling one after the other to arrive at an aerial view of the theatrical landscape.From such a vantage point, one can begin to discern a line of development from the ancient Greeks, through Shakespeare and Chekhov, to a host of our own contemporary authors.He demonstrates how these elements may be transhistorical but are far from static, marking out a rich and dynamic theatrical language for a new generation of theatre makers to draw upon.Suitable for directors, actors, writers, dramaturges, and all audiences who yearn for a deeper understanding of theatre, The Elements of Theatrical Expression equips its readers with the knowledge that they need to see and hear theatre in new and more daring ways.

    Price: 36.99 £ | Shipping*: 0.00 £
  • Shakespeare's Globe : A Theatrical Experiment
    Shakespeare's Globe : A Theatrical Experiment

    From 1997 Shakespeare's Globe flourished once more on London's South Bank after an absence of 400 years.The playhouse is now a major attraction for theatregoers, scholars, tourists, teachers and students of all ages who come to experience Shakespeare's plays and those of his contemporaries performed in their original conditions.The team of artists and education specialists who made this happen come together here to reflect on their 10-year experiment.Principal actors, designers, musicians and Globe Education staff engage with international scholars in a lively debate about the impact of this extraordinary building.Featuring an in-depth interview with former Artistic Director Mark Rylance and a contribution from Patrick Spottiswoode, Founder and Director of Globe Education, the book highlights the complex relationship between designer, composer, actor and audience which gives energy to this thriving Shakespearean centre.

    Price: 26.99 £ | Shipping*: 3.99 £
  • Romanticism and Theatrical Experience : Kean, Hazlitt and Keats in the Age of Theatrical News
    Romanticism and Theatrical Experience : Kean, Hazlitt and Keats in the Age of Theatrical News

    Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain.Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition.Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics.Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.

    Price: 90.00 £ | Shipping*: 0.00 £
  • Are SkyGo movies shorter than the theatrical version?

    SkyGo movies are typically the same length as the theatrical version. The main difference is that SkyGo movies are available for streaming on-demand, allowing viewers to pause, rewind, or fast forward as needed. This flexibility in viewing may give the impression that the movie is shorter, but in reality, the content is the same as what is shown in theaters.

  • What is the theatrical version of the extended version?

    The theatrical version of a film is the version that is originally released in theaters for public viewing. It is usually the shorter version of the film, as it may have been edited for time constraints or to cater to a wider audience. On the other hand, the extended version of a film includes additional scenes, dialogue, or footage that were not included in the theatrical release. This version is often released later on DVD or Blu-ray for fans who want to see more of the story.

  • Why is the theatrical performance in school done barefoot?

    Theatrical performances in school are often done barefoot for several reasons. Firstly, being barefoot allows for more freedom of movement and expression for the performers, enabling them to fully embody their characters and emotions. Additionally, it can help create a sense of intimacy and connection between the performers and the audience, as it removes barriers and distractions. Lastly, performing barefoot can also be a practical choice to prevent any potential accidents or injuries that could occur while wearing shoes on stage.

  • Why is the theatrical performance game in school done barefoot?

    The theatrical performance game in school is often done barefoot to help the students feel more connected to their bodies and the space around them. Being barefoot allows for greater sensory awareness and freedom of movement, which can enhance the performers' physicality and expression. It also helps to create a more intimate and authentic experience for both the performers and the audience, as it removes the barrier of shoes and allows for a more natural and grounded performance.

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