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Crisis, Representation and Resilience : Perspectives on Contemporary British Theatre
A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis.It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis.Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005. Topics discussed include:AgeingAusterityGenderMigrancyMulticulturalismAestheticsCompanies discussed include: Theatre UncutLost DogCamden People's PeopleLungBrighton People's Theatre Phosphoros Theatre Playwrights discussed include: Jez Butterworth Caryl Churchill Tim Crouch Vivienne Franzmann James Graham debbie tucker green Ella Hickson Charlene James Lucy Kirkwood Simon Longman Cordelia Lynn Simon Stephens Jack Thorne Chris Thorpe Gloria Williams Building on recent publications in the area and engaging in dialogue with them, Crisis, Representation and Resilience considers how crisis is being re-thought and re-orientated through theatrical performance and the ways theatre invites us to respond to the many challenges of the contemporary times.
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Self/Image : Technology, Representation, and the Contemporary Subject
Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this important and original book explores how technology has affected artists' abilities and forms to express themselves. From analogue photography to more recent artistic practices including digital imaging, performance robotics and video installations, Self/Image is one of the first full length studies to investigate the complex relations among these diverse artistic practices. This will make an excellent companion to studies of contemporary art history, and media and cultural studies in the post-1960 period.
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Multiple Representation Dice
Young learners will be on a roll with numbers and number sense with these Multiple Representation Dice. This set of 16 dice feature 4 different ways to represent a number, to support childrens learning of number sense. Includes 10 frames, base 10,
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Deflating Mental Representation
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What is the polar representation of a Cartesian representation?
The polar representation of a Cartesian representation is a way of expressing a point in the Cartesian plane using polar coordinates. In the polar representation, a point is described by its distance from the origin (r) and the angle it makes with the positive x-axis (θ). This is in contrast to the Cartesian representation, which describes a point using its x and y coordinates. The polar representation provides a different way of understanding and visualizing points in the plane, and it can be useful in certain mathematical and scientific contexts.
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Which representation method?
The representation method that should be used depends on the specific data being analyzed and the goals of the analysis. For categorical data, bar graphs or pie charts are commonly used to show the distribution of different categories. For numerical data, histograms or box plots can be used to visualize the distribution and central tendency of the data. Scatter plots are useful for showing the relationship between two numerical variables. Ultimately, the best representation method is one that effectively communicates the key insights from the data in a clear and concise manner.
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What is the linear factor representation and the polynomial representation?
The linear factor representation of a polynomial is a way of expressing the polynomial as a product of linear factors. For example, the linear factor representation of the polynomial x^2 - 4 is (x-2)(x+2). This representation helps in finding the roots of the polynomial. The polynomial representation is the standard way of expressing a polynomial as a sum of terms, each containing a variable raised to a power. For example, the polynomial representation of x^2 - 4 is x^2 - 4. This representation helps in performing operations like addition, subtraction, multiplication, and division of polynomials.
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Is the standard representation the same as the exponential representation?
No, the standard representation and the exponential representation are not the same. The standard representation of a number is typically in the form of a decimal or fraction, while the exponential representation is in the form of a number raised to a power. For example, the standard representation of 100 is simply "100," while the exponential representation is "10^2." These two representations convey the same value but are written in different forms.
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Innovation in Music: Technology and Creativity
Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
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Fashion and Environmental Sustainability : Entrepreneurship, Innovation and Technology
The wide range of topics that the book covers are organised into sections reflecting a cradle to grave view of how entrepreneurial, innovative, and tech-savvy approaches can advance environmental sustainability in the fashion sector.These sections include: sustainable materials; innovation in design, range planning and product development; sustainable innovations in fashion supply chains; sustainable innovations in fashion retail and marketing; sustainable alternatives for end-of-life and circular economy initiatives; and more sustainable alternative fashion business models.
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Picturebooks: Representation and Narration
This volume discusses the aesthetic and cognitive challenges of modern picturebooks from different countries, such as Denmark, France, Germany, Norway, Spain, Sweden, United Kingdom, and USA.The overarching issue concerns the mutual relationship between representation and narration by means of the picturebooks’ multimodal character.Moreover, this volume includes the main lines of debate and approaches to picturebooks by international leading researchers in the field.Topics covered are the impact of paratexts and interpictorial allusions, the relationship between artists’ books, crossover picturebooks, and picturebooks for adults, the narrative defiance of wordless picturebooks, the representation of emotions in images and text, and the depiction of hybrid characters in picturebooks.The enlargement of the picturebook corpus beyond an Anglo-American picturebook canon opens up new horizons and highlights the diverging styles and genre shifts in modern picturebooks.This tendency also demonstrates the influence of specific authors and illustrators on the appreciation of the picturebook genre, as in the case of Astrid Lindgren’s picturebooks and the picturebooks created by renowned illustrators, such as Anthony Browne, Wolf Erlbruch, Stian Hole, and Bruno Munari.This book will be the definite contribution to contemporary picturebook research for many years to come.
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The Concept of Representation
Being concerned with representation, this book is about an idea, a concept, a word.It is primarily a conceptual analysis, not a historical study of the way in which representative government has evolved, nor yet an empirical investigation of the behavior of contemporary representatives or the expectations voters have about them.Yet, although the book is about a word, it is not about mere words, not merely about words.For the social philosopher, for the social scientist, words are not "mere"; they are the tools of his trade and a vital part of his subject matter.Since human beings are not merely political animals but also language-using animals, their behavior is shaped by their ideas.What they do and how they do it depends upon how they see themselves and their world, and this in turn depends upon the concepts through which they see.Learning what "representation" means and learning how to represent are intimately connected.But even beyond this, the social theorist sees the world through a network of concepts.Our words define and delimit our world in important ways, and this is particularly true of the world of human and social things. For a zoologist may capture a rare specimen and simply observe it; but who can capture an instance of representation (or of power, or of interest)?Such things, too, can be observed, but the observation always presupposes at least a rudimentary conception of what representation (or power, or interest) is, what counts as representation, where it leaves off and some other phenomenon begins.Questions about what representation is, or is like, are not fully separable from the question of what "representation" means.This book approaches the former questions by way of the latter.
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What is interest representation?
Interest representation refers to the process of advocating for the interests and concerns of a particular group or organization to policymakers, government officials, or other decision-makers. This can involve lobbying, public relations, and other forms of communication to influence policy decisions in favor of the represented group. Interest representation is a key component of democratic societies, as it allows for diverse voices and perspectives to be heard in the policymaking process. It is often carried out by professional lobbyists, advocacy groups, trade associations, and other organizations that work on behalf of their members or constituents.
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What are representation matrices?
Representation matrices are matrices that represent linear transformations or operators. They are used to represent the action of a linear transformation on a vector space. The elements of the representation matrix correspond to the coefficients of the linear combination of the basis vectors of the vector space. By using representation matrices, we can easily perform operations such as composition of linear transformations and finding the inverse of a linear transformation.
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What is the correct grammatical representation of the term fixed-point representation?
The correct grammatical representation of the term fixed-point representation is a compound noun. In this term, "fixed-point" acts as an adjective describing the type of representation being discussed. The hyphen between "fixed" and "point" indicates that these two words are functioning together as a single unit modifying the noun "representation." This grammatical structure helps clarify that the representation being referred to is specifically of the fixed-point type.
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Can you calculate the decimal representation of the following number in Q44 representation?
No, I cannot calculate the decimal representation of a number in Q44 representation without knowing the specific number. In order to convert a number from Q44 representation to decimal, you would need to know the value of each digit in the Q44 representation and then perform the necessary calculations to convert it to decimal.
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