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  • Innovation in Music: Technology and Creativity
    Innovation in Music: Technology and Creativity

    Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.

    Price: 53.99 £ | Shipping*: 0.00 £
  • Innovation in Music: Innovation Pathways
    Innovation in Music: Innovation Pathways

    Innovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business.With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion. Including chapters on mixing desks, digital ethics, soundscapes, immersive audio, and computer-assisted music, this book is recommended reading for music industry researchers working in a range of fields, as well as professionals interested in industry innovations.

    Price: 51.99 £ | Shipping*: 0.00 £
  • Innovation in Music: Innovation Pathways
    Innovation in Music: Innovation Pathways

    Innovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business.With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion. Including chapters on mixing desks, digital ethics, soundscapes, immersive audio, and computer-assisted music, this book is recommended reading for music industry researchers working in a range of fields, as well as professionals interested in industry innovations.

    Price: 135.00 £ | Shipping*: 0.00 £
  • Fashion and Environmental Sustainability : Entrepreneurship, Innovation and Technology
    Fashion and Environmental Sustainability : Entrepreneurship, Innovation and Technology

    The wide range of topics that the book covers are organised into sections reflecting a cradle to grave view of how entrepreneurial, innovative, and tech-savvy approaches can advance environmental sustainability in the fashion sector.These sections include: sustainable materials; innovation in design, range planning and product development; sustainable innovations in fashion supply chains; sustainable innovations in fashion retail and marketing; sustainable alternatives for end-of-life and circular economy initiatives; and more sustainable alternative fashion business models.

    Price: 90.50 £ | Shipping*: 0.00 £
  • Does music school destroy creativity?

    Music school does not necessarily destroy creativity. While music education may focus on technical skills and theory, it also provides a foundation for creativity by exposing students to a wide range of musical styles and techniques. Additionally, music school can provide opportunities for collaboration and experimentation, which can foster creativity. Ultimately, the impact on creativity depends on the individual's approach to their education and how they choose to apply their skills and knowledge.

  • Is music as endless as creativity?

    Yes, music is as endless as creativity. Just as there are infinite possibilities for creative expression, there are also infinite possibilities for musical composition and performance. Music has the ability to constantly evolve and adapt to new influences and ideas, making it a boundless form of artistic expression. As long as there are creative minds and innovative ideas, music will continue to be an endless source of inspiration and innovation.

  • How do you like the innovation of Amazon Music?

    I think the innovation of Amazon Music is great. The platform offers a wide range of music, including popular hits and lesser-known tracks, and it provides a seamless listening experience across devices. I also appreciate the personalized recommendations and playlists that are tailored to my music preferences. Overall, I find Amazon Music to be a convenient and user-friendly music streaming service.

  • How does lighting technology respond to music?

    Lighting technology can respond to music through a process called sound-to-light synchronization. This technology allows lights to change color, intensity, and patterns in response to the rhythm, tempo, and volume of the music being played. By using sensors or software that analyze the audio input, lighting systems can create dynamic and immersive visual experiences that enhance the overall atmosphere of a performance or event. This synchronization adds another layer of sensory stimulation for the audience, creating a more engaging and memorable experience.

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  • Pop Music - Technology and Creativity : Trevor Horn and the Digital Revolution
    Pop Music - Technology and Creativity : Trevor Horn and the Digital Revolution

    This highly original and accessible book draws on the author‘s personal experience as a musician, producer and teacher of popular music to discuss the ways in which audio technology and musical creativity in pop music are inextricably bound together.This relationship, the book argues, is exemplified by the work of Trevor Horn, who is widely acknowledged as the most important, innovative and successful British pop record producer of the early 1980s. In the first part of the book, Timothy Warner presents a definition of pop as distinct from rock music, and goes on to consider the ways technological developments, such as the transition from analogue to digital, transform working practices and, as a result, impact on the creative process of producing pop.Part two analyses seven influential recordings produced by Trevor Horn between 1979 and 1985: 'Video Killed the Radio Star' (The Buggles), 'Buffalo Gals' (Malcolm McClaren),'Owner of a Lonely Heart' (Yes), 'Relax' (Frankie Goes to Hollywood), 'Slave to the Rhythm' (Grace Jones), and albums by The Art of Noise and Propaganda.These records reveal how the creative use of technology in the modern pop recording studio has informed Horn‘s work, a theme that is then explored in an extensive interview with Horn himself.

    Price: 39.99 £ | Shipping*: 0.00 £
  • Technology for Unleashing Creativity : Practical Tips and Tools for Music Educators
    Technology for Unleashing Creativity : Practical Tips and Tools for Music Educators

    Traditional music education centered around the ensemble classroom has often privileged reading music and instrumental technique over creative skills such as composition, improvisation, and learning by ear.As the technological landscape of students' everyday lives rapidly shifts, what schools teach rarely aligns with students' more creative day-to-day lives outside of the classroom.While administrators and state education standards often encourage incorporating creative technologies into the music curriculum, many music teachers lack the training to successfully utilize these tools and platforms.In Technology for Unleashing Creativity, author Steve Giddings provides a practical and easily accessible resource for in-service and pre-service K-12 teachers looking to make better use of technology in their teaching and help heighten students' creativity.One of few authors to tackle both issues simultaneously, Giddings offers a guide for inspiring creativity in students through tools like YouTube learning, notation technology, DAWs, electronic instruments, online pedagogical platforms, and more.A technology-driven approach to music education has never been timelier.COVID-19 has significantly disrupted the business-as-usual of educational institutions, and music educators especially have adapted to teaching remotely.Via practical tips, visual diagrams, and lesson plan ideas, Technology for Unleashing Creativity walks music teachers through the core aspects of using technology in their classrooms--in-person and remote--offering a definitive guide to creativity and technology in K-12 music education.

    Price: 15.99 £ | Shipping*: 3.99 £
  • Coproduction : Collaboration in Music Production
    Coproduction : Collaboration in Music Production

    Coproduction is dedicated specifically to the study of an emerging field in music production musicology.It explores the limits of what this field might be, from the workings of a few individuals producing music together in the studio, to vast contributions of whole societies producing popular music. Taking a wide-ranging approach to examining the field, Coproduction looks through multiple formats including essays, interviews, and case studies, with analysis and commentary of coproduction experiences at Abbey Road studios.It does so by examining multiple disciplines from social science and coproduction in mental health, to philosophy and mathematics.At its extremes (which is the extreme middle and not the blunt ‘cutting edge’) the authors attempt to produce every song in their development of an all-encompassing pop music concept, peculiarly called Toast theory. In attempting to unite the pragmatic collaborative patterns of Vera John-Steiner with philosophical postmodernist concepts of connection, Coproduction has something to offer readers interested in the traditional workings of teams of producers, as well as those seeking to understand the wider philosophy of collaboration in music production.

    Price: 58.99 £ | Shipping*: 0.00 £
  • Innovation in Music: Adjusting Perspectives
    Innovation in Music: Adjusting Perspectives

    Innovation in Music: Adjusting Perspectives brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business.With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion. Including chapters on generative AI, gender equality, live music, quantisation, and composition, this book is recommended reading for music industry researchers working in a range of fields, as well as professionals interested in industry innovations.

    Price: 51.99 £ | Shipping*: 0.00 £
  • How does the lighting technology react to music?

    Lighting technology can react to music in a variety of ways. For example, it can be programmed to change color, intensity, and pattern in sync with the beat and rhythm of the music. Some advanced lighting systems can also be set to respond to specific frequencies or sound levels, creating a dynamic and immersive visual experience that complements the music. Additionally, lighting technology can be synchronized with music through software and controllers, allowing for precise and customizable integration with live performances or pre-recorded music. Overall, the lighting technology's reaction to music adds an extra layer of sensory stimulation and enhances the overall impact of the music performance or listening experience.

  • Do you usually only listen to sad music?

    No, I don't usually only listen to sad music. I enjoy a variety of music genres and moods, including happy, upbeat, and energetic music. While I do appreciate the emotional depth and introspection that sad music can bring, I also find joy and inspiration in more uplifting and positive tunes. Overall, I believe in embracing a diverse range of musical experiences to suit different moods and occasions.

  • Which subject do you prefer: Music, French, or Technology?

    As an AI language model, I don't have personal preferences. However, I can tell you that each of these subjects has its own unique benefits. Music can be a great way to express creativity and emotion, French can open up opportunities for communication and cultural understanding, and Technology can provide practical skills for the modern world. Ultimately, the best subject for you will depend on your interests and goals.

  • Why is the music for film albums usually so good?

    The music for film albums is usually so good because it is specifically composed and curated to enhance the emotional impact and storytelling of the film. Film composers and music supervisors work closely with the filmmakers to create a soundtrack that complements the visuals and dialogue, evoking the intended mood and atmosphere. Additionally, film albums often feature a diverse range of musical styles and genres, adding depth and richness to the overall cinematic experience. This careful attention to detail and collaboration between the music and film industries often results in high-quality and memorable soundtracks.

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