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Innovation in Music: Technology and Creativity
Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
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The Family Clause
'A bold and remarkable novel...full of heart and compassion' Dinaw MengestuA bad-tempered grandfather, now living abroad, is back in Stockholm to see his adult children.The son is a failure, the daughter is having a baby with the wrong man, and their mother is a heartless deserter.Only he, the patriarch, is perfect - according to himself, at least.Over ten intense days, the strained relationships of this chaotic but entirely normal family unfold, and painful memories begin to resurface.Something has to give. But the son is duty-bound to his father by a murky, years-old agreement - can it be renegotiated, or will it bind everyone to the past for ever?'The dynamics of each relationship are superbly complex, and Khemiri's wry, comic touch gives a lightness to the inevitability as the children follow in their father's footsteps' Guardian'Excellent...the complex portrait of a family that is both identifiable and distinctive, normal and strange' TLS
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Clause and Effect
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Clause Of Death
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How do you transform an object clause or a subject clause into a dependent clause (subordinate clause)?
To transform an object clause or a subject clause into a dependent clause, you can add a subordinating conjunction at the beginning of the clause. For example, changing "I know that he is coming" (object clause) to "I know when he is coming" (dependent clause). Another way is to remove the subject or object pronoun and change the verb form to make it dependent on the main clause. For instance, changing "She believes she can win" (subject clause) to "She believes she can win" (dependent clause).
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Is an infinitive clause a subordinate clause?
Yes, an infinitive clause is a type of subordinate clause. It functions as a single unit within a sentence and is dependent on the main clause for its meaning. Infinitive clauses typically begin with the word "to" followed by a verb, and they can serve various purposes such as expressing purpose, result, or obligation.
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What are main clause-subordinate clause constructions?
Main clause-subordinate clause constructions are sentences that consist of a main clause and one or more subordinate clauses. The main clause is a complete sentence that can stand alone, while the subordinate clause depends on the main clause for its meaning and cannot stand alone. Subordinate clauses often begin with subordinating conjunctions such as "because," "although," "if," or "when," and they provide additional information or context to the main clause. These constructions allow for more complex and nuanced sentence structures, and they are commonly used in both spoken and written language.
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Can an adverbial clause also be a subject clause or an object clause?
No, an adverbial clause cannot be a subject clause or an object clause. An adverbial clause functions as an adverb to modify a verb, adjective, or adverb in a sentence. Subject clauses and object clauses, on the other hand, serve as the subject or object of the main clause, respectively. Each type of clause has a specific grammatical function within a sentence.
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The Freedom Clause
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The Santa Clause
Tim Allen stars as Scott Calvin, a cynical toy company executive who is forced to take over the job of Santa Claus when he and his son Charlie witness the previous incumbent falling off a roof.Soon Scott finds himself putting on weight, growing a white beard and fulfiling his obligation to deliver presents to all the children around the world.He even finds himself reluctantly getting into the spirit of things!
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Fashion and Environmental Sustainability : Entrepreneurship, Innovation and Technology
The wide range of topics that the book covers are organised into sections reflecting a cradle to grave view of how entrepreneurial, innovative, and tech-savvy approaches can advance environmental sustainability in the fashion sector.These sections include: sustainable materials; innovation in design, range planning and product development; sustainable innovations in fashion supply chains; sustainable innovations in fashion retail and marketing; sustainable alternatives for end-of-life and circular economy initiatives; and more sustainable alternative fashion business models.
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The Break-Up Clause
What if your work rival was the ex that you’d never actually broken up with? ‘Sizzling’ SOPHIE IRWIN‘Witty’ BETH REEKLES‘Excellent’ JANE CASEY‘Pitch-perfect’ EMMA HUGHES How do you get rid of an ex . . . When you’ve never actually broken up? When arrogant new colleague Benjamin swans into Fia’s small office at her New York law firm, it’s no secret they dislike – no, hate – each other.But there is one secret no one knows. The last time Fia and Benjamin saw each other was one summer night nearly ten years ago, at a little chapel – in Vegas.Benjamin isn’t just Fia’s co-worker, he’s also her long-lost husband. They made a promise – they even signed a pact – that they’d divorce after one year.But they never did. Now, if anyone discovers they’re husband and wife, both their jobs are on the line. And as their marriage starts to finally heat up, it’s a secret that’s getting harder to keep . . . EVERYONE LOVES THE BREAK-UP CLAUSE ‘I REALLY loved . . . so clever, so good, really excellent characters’ JANE CASEY ‘Electric right from the off…a witty, wonderful book with such a wholesome take on friendships and a sizzling romance’ BETH REEKLES ’Hargan has a light touch and a winning sense of humour’ THE TIMES ‘Reminds me of Katherine Heiny . . . her crisp scene-setting wit, her pitch-perfect ear for dialogue and her wonderful, wry eye . . . make every page a pleasure to read’ EMMA HUGHES ‘An absolute first class rom-com: smart, funny and sizzling with chemistry’ SOPHIE IRWIN ‘Joyous, funny and very sweet, this is one to savour’ STYLIST ‘One of the very best romcom writers around.It is sublime . . . chemistry/sizzle/snark is off the charts’ CRESSIDA MCLAUGHLIN
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Is the main clause and subordinate clause correct?
To determine if the main clause and subordinate clause are correct, you need to ensure that they are grammatically sound and that they make sense when combined. The main clause should be able to stand alone as a complete sentence, while the subordinate clause provides additional information but cannot stand alone. Checking for subject-verb agreement and proper punctuation between the two clauses can help confirm their correctness.
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Is the accompanying clause in direct speech a main clause or a subordinate clause?
The accompanying clause in direct speech can be either a main clause or a subordinate clause, depending on its role in the sentence. If the clause is expressing a complete thought and can stand alone as a sentence, then it is a main clause. However, if the clause is dependent on the rest of the sentence for its meaning and cannot stand alone, then it is a subordinate clause. It's important to consider the context and structure of the sentence to determine the role of the accompanying clause in direct speech.
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How can I recognize a relative clause, a conjunctional clause, and an interrogative clause?
A relative clause is a type of dependent clause that typically starts with a relative pronoun (such as who, whom, whose, which, or that) and provides additional information about a noun in the main clause. A conjunctional clause, on the other hand, is a dependent clause that functions as an adverb, adjective, or noun in a sentence and is connected to the main clause by a conjunction (such as because, although, if, when, etc.). An interrogative clause is a type of clause that asks a question and typically begins with a question word (such as who, what, where, when, why, or how) or with a helping verb followed by the subject.
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How do I recognize a relative clause, a conjunctional clause, and an interrogative clause?
A relative clause typically starts with a relative pronoun (such as who, whom, whose, which, or that) and provides more information about a noun in the main clause. A conjunctional clause, on the other hand, is introduced by a conjunction (such as and, but, or because) and connects two independent clauses. An interrogative clause is a type of clause that asks a question and is typically introduced by an interrogative pronoun (such as who, what, when, where, why, or how) or an interrogative adverb (such as how, when, or where).
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